who we are

a literary culture is any community in which the written and spoken word is recognized for its transformative power.

we are that community.

sure, we like literature. but we also like poetry. and music. and dance. and art. and photography. we like it all, and here we can talk about it all. here, (almost) anything goes.

2.07.2009

Where do you draw the line?

Question:

In the list below, where does the "poetic" stop and "non-poetic" start?






































Let me not to the marriage of true minds... (Shakespeare)

New Year’s first snow -- ah -- (Basho)

A POOR torn heart, a tattered heart... (Dickinson)

it is at moments after i have dreamed... (e.e. cummings)

What happens to a dream deferred? (Hughes)

And so she woke up
Woke up from where she was lyin' still. (U2)



(calligraphy artists)


(Beethoven)


(Adams)


(Mondrian)


(Woodson)


(Mucha)

2.06.2009

Eula Biss

These Nerves

Read!

A Wonderful Essay about Reading Contemporary Poetry

2.05.2009

read my lips: poetry slam

Ten years ago, Eve Ensler's "The Vagina Monologues" was performed as a benefit to raise money and awareness to stop violence against women and girls around the world. Since then it has been performed annually in thousands of locations across the globe. This year marks TCU's fourth to participate, with all proceeds going to SafeHaven. Leading up to the performances on Friday, February 13th, and Saturday, February 14th, are a week of events geared towards raising awareness for domestic violence.

Wednesday, February 11th, we are hosting "Read My Lips" - a poetry slam with nationally renown poet Michael Guinn - in Moudy 141N from 7:30 - 9. Students are invited to take the stage with Michael and his group to compete for over $200 worth of prizes. We feel that it would be a fantastic opportunity for students, and faculty alike, to participate in such an event. In the lobby of Moudy North, TCU's Post Secret will be on display.

The Rules for those participating are simple:

1.) Each poem must be of the poet's own construction;

2.) Each poet gets three minutes (plus a ten-second grace period) to read one poem.

3.) The poet may not use props, costumes or musical instruments;

4.) Of the scores the poet received from the five judges, the high and low scores are dropped and the middle three are added together, giving the poet a total score of 0-30

*The poems do not have to be memorized*

2.03.2009

spread the word


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Listen to Your Logic

Hating poetry because of a crappy teacher is as foolish as hating football because the Cowboys had a crappy season.

If an entire sport can't be blamed for the shoddy and inconsistent performance of a handful of its athletes...

Then an ancient art form (it's been around and will be around longer than any of us) can't be blamed for the shoddy and inconsistent performance of a few overworked and/or underpaid and/or emotionally damaged teachers.

2.02.2009

Stand Up and Apologize!


Poetry needs no apologies. The Bryson Literary Society (BLS) aims to create the conditions under which people will apologize to poetry.